Fu hongshuang
I embrace the rigours of science and the poetry of expression ;)Work
To See the Vast in the Narrow, 2025Map as Reflective Eye, 2025
Sea Shell, 2025
‘Tower of Babel’, 2025
Composing Practice I, 2025
Spore, 2024
Typewriting Tree, 2024
A Circle with One Ray, or a Cone with One Shadow, 2024
Chinese Typewriting Name Card, 2024
Qixi Series(for Dazzle), 2024
Weaving Cosmos, 2024
Untitled, 2024
Jesus Moon, 2024
Georgina’s 2024 Calendar , 2024
Made by fU hoNg sHuang, 2024
Non-linear Typeface Study, 2024
Witch’s Postcard, 2024
Scanning Stones, 2023
Would a Coconut tree ever dream of snowing?, 2023
Name Card, 2023
No where, now here, 2023
→Decipher, 2023
Projection, 2023
Rosetta ‘luo-sai-ta’, 2023
Kitchen Set as Lettering, 2022
A Study in Fake, 2022
Untitled Dream, 2021
Hannah, 2021
→Mediator, 2021
Amber, 2021
Writing
一个真心的问题灵隐八百问
Decipher
About
Cover: To See the Vast in the Narrow, 2025
© 2025 All rights reserved
虚构学习
A Study in Fake
2022
A Study in Fake
2022
Variable
Clay, Modern artefacts
Clay, Modern artefacts
那么，如果留下痕迹的客体其实根本“不存在”呢？论文引用的权威词条可以是作者伪造的，流传了几个世纪的岛屿其实只存在于错误的地图里，惊人的幻境只是源自致幻蘑菇的误食，就连我们生活的世界也可能是由超级电脑模拟而成。当然，它们中的一些已经被真实的世界证伪而被消灭，有些还因无法被分辨而被保留，甚至也可能继续以“真实”的面貌生存在这个世界里。但无论如何，痕迹早已留下，并作用到了人和物的身上，对这个世界施加了一定的形变。只是随着时间的流逝，真实与虚假杂糅在一起、不断重叠。我们有一天也终将无法再分辨那些印迹，直到被忘记，直到成为我们的一部分。